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Harubee – Young Faces, Old Voices
Mohamed Shafraz Hafiz for Maldives Promotion House – A group of young men flood the stage and take their positions. There are around twenty of them. A majority of them carry with them traditional Dhivehi goatskin drums. A flourish, a sharp tap, and a song is breathed into life. It’s sleepy at first but gains momentum like a rolling boulder. The song grows louder, faster, and the crowd sways because they can’t help it.
The beat works itself into their blood. Old voices on young faces sing the bodu beru songs and by the time the crescendo arrives, frenzy inducing, the crowd is ensnared completely. A few of them leap into the space in front of the stage to express their exultation through dance. By the time their hearts slow down it’s time for the next song. This is a typical night for Harubee, Maldives’s premier bodu beru band.
Bodu beru, literally meaning “big drum”, is one of the oldest surviving aspects of Dhivehi culture. It is a form of song based on a beat hammered out on a goatskin drum of traditional design. The tempo almost invariably starts slow and builds up into a crescendo, which is sustained for a while before reaching an abrupt end.
Though they’ve earned the right to it, Harubee shuns their status as a super-band, instead choosing to celebrate their roots and the fans that make them who they are. This warmth translates into the performance as well as the energy that comes from their passion.
Not a single member of Harubee performs full-time. They all work full-time elsewhere and come together as a band only for the passion of bodu beru. Harubee’s philosophy is that performing full-time will make the music feel like a job.
Shihan (Puchu), one of the four main members of Harubee alongside Mamdhooh (Manday), Naushad (Naube), and Shamhan (Joray), explains that the four of them first came together as a band at the end of the 90’s quite circumstantially, when one of them beat a dabiya (a tin pitcher), and the others joined in with song. They soon found themselves performing free at parties purely for the love of bodu beru.
The group officially came to be known as Harubee for their performance at the 2006 Dubai Shopping Festival. Since then, Harubee has gone onto perform at tourism expos, various major events at resorts, and have appeared on National Geographic Channel and the BBC in addition to performing alongside major local artists at live events. Harubee’s first mainstream success came when they won the MNBC Bodu Beru Challenge 2010. Since then Harubee has been performing without respite. This is no small accomplishment, considering that all members work full time, and the line up always depends on who can get time off work for a performance.
Harubee cannot be talked about without mentioning the cultural relevance of the group. The art of bodu beru is one of the most representative facets of Dhivehi culture. Many of the songs circulating around the bodu beru scene are so old that their origins are lost entirely. Harubee represents a revitalising, and more importantly, a rebranding of everything bodu beru stands for. As a bodu beru group of young people who charge their performances with a new energy that somehow falls runs parallel to the timelessness of the tradition, Harubee brings a progressiveness to the art that has not only been absent but hadn’t even been conceived of before. Bodu beru is cool again precisely because it’s not the way you remember it.
The band chooses to emphasise the continuity in this progression from tradition. Harubee humbly names Hamdun Hameed as the group’s major influence. As the founding members’ school principal and prolific torchbearer of bodu beru, Hamdun heavily involved the group in Ameer Ahmed School’s bodu beru activities, coming to teach the boys who would become Harubee most of what they know.
Modernised or traditional, bodu beru is a live art, and Harubee is a live act. The group is currently recording an album, pushing the progression further with their new songs. A major challenge will be to translate their unique personality into recorded form. Unused to the restraint and the set structure of the studio environment, Harubee has to overcome these constraints and find the best way to pack their brand of improvisation and spontaneity into an aural experience.
First an explosion onto the scene, then establishing their place, now recording an album. What could possibly be next for this group of young men, who don’t practise, who don’t plan their show, yet still project an electrifying presence? “To never stop,” says Shihan. Harubee intends to overcome the fickle nature of seasonal trends. They intend to make bodu beru bigger than it already is, and to push it further than it has ever gone.
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Villa Nautica turns reef into living classroom through coral restoration project
Villa Nautica and diveOceanus, in partnership with The Hub 10 – Finland International School, have launched the first phase of a long-term coral restoration and citizen science programme, transforming the reef surrounding the resort into a living classroom.
Following an introductory marine biology session at the school, students visited Villa Nautica to work alongside the diveOceanus team. They learned how to identify coral species, measure coral fragments, assess coral health and record baseline scientific data before preparing five dedicated coral restoration frames.
The initiative extends beyond a traditional coral planting activity. Each coral fragment has been individually recorded through a Coral Tracker system, allowing students to follow its progress over time. When they return approximately six months later, they will compare new measurements with the data collected during their first visit, documenting coral growth, survival and the marine life beginning to establish around the frames.

Over time, students will be able to observe how initially bare structures develop into functioning reef habitats that support fish and other marine organisms. As each class graduates, responsibility for the monitoring programme will pass to the next group, creating a continuous citizen science project in which each generation builds on the work of those before them.
The initiative forms part of Villa Nautica’s wider coral restoration programme, established in 2024 and managed by diveOceanus. The resort currently maintains approximately 65 coral restoration frames, contributing to more than 130 frames established across Villa Resorts.
Mohamed Seeneen, Director of Operations at diveOceanus, explained that the team has gained valuable knowledge through years of reef restoration during periods of elevated sea temperatures.

“Over the years, we have experienced several marine heatwaves that have affected reefs throughout the Maldives. While our restoration sites have also experienced losses, they have shown encouraging resilience. Rather than continually introducing new donor colonies, we focus on propagating coral fragments that have naturally survived previous bleaching events, allowing these more resilient corals to form the foundation of future restoration.”

The team has already observed coral colonies beginning to develop into more natural reef formations. Species such as the Harlequin Filefish have also been seen returning regularly to the restoration sites, providing an encouraging indication that the developing habitats are supporting marine biodiversity.
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Finolhu strengthens racquet sports programme with new tennis pro
As tennis and padel continue to shape the luxury travel landscape, Finolhu, a Seaside Collection Resort, has welcomed French-Mexican sports professional Stefano as its new Tennis Pro, further elevating the resort’s growing focus on world-class racquet experiences in the Maldives.
Originally from Mexico, Stefano arrives at Finolhu with an extensive background in both tennis and padel. A former competitive athlete who reached No. 4 nationally in Mexico, he has built an international career spanning Mexico, the French overseas region of Guadeloupe and the Maldives, where he has become a familiar figure across several of the country’s leading luxury resorts.
Prior to joining Finolhu, Stefano served as a Tennis and Padel Professional at Patina Maldives. He previously held similar roles at Anantara Kihavah and The St. Regis Maldives, coaching players of all ages and abilities, from first-time enthusiasts to seasoned competitors seeking to refine their game.
At Finolhu, Stefano will lead the resort’s tennis and padel programme, offering private coaching sessions, social matches and bespoke experiences for families, couples and sports enthusiasts. His arrival comes at a time when padel, one of the world’s fastest-growing sports, is increasingly finding a place alongside traditional wellness and recreation offerings at luxury destinations.
Known for its playful spirit and vibrant energy, Finolhu complements its two-kilometre sandbank, eclectic dining experiences and extensive activities with dedicated tennis and padel facilities, giving guests the opportunity to stay active while immersed in the natural beauty of Baa Atoll. Whether introducing newcomers to the fast-paced world of padel or helping experienced players perfect their serve, the resort’s racquet sports offering has become an increasingly popular part of the Finolhu experience.
The programme is delivered in partnership with LUX Tennis, the international tennis management company recognised for bringing premium coaching and curated sporting experiences to luxury resorts around the world. Through this collaboration, Finolhu offers guests access to professional instruction and tailored programmes that combine performance, wellness and leisure in an exceptional island setting.
For Stefano, whose journey has taken him from the courts of Mexico and the Caribbean to the Indian Ocean, Finolhu represents the latest chapter in a career dedicated to sharing a passion for racquet sports. Whether hosting friendly tournaments beneath the Maldivian sun or introducing guests to a new sport, his focus remains on creating memorable experiences that extend far beyond the court.
To learn more about Finolhu, a Seaside Collection resort, visit finolhu.com.
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Five turtle nests mark rare conservation milestone at Niva Kuramathi
Since May 2026, a single female green turtle has returned to the beaches of Niva Kuramathi on five separate occasions—on 8, 18, and 29 May, and again on 9 and 20 June—choosing these shores to lay her eggs.
Kuramathi Island is not a regular nesting ground for turtles, which makes each return, and each nest, a rare and significant event. The nesting turtle hauls herself ashore to dig a hollow chamber in the warm sand before laying a clutch of up to 100 eggs. She then draws the sand back over the eggs to camouflage them, smoothing the surface until the nest disappears beneath her. Slowly, she makes her way back to the sea.
This labour-intensive journey usually takes place under the cover of darkness. Green sea turtles can weigh between 150 and 250 kg, with their heart-shaped shells stretching up to 140 cm in length. In the water, their paddle-like flippers sweep through the currents.
Every nest at Niva Kuramathi has been carefully marked and protected, giving it the best chance of success. On 7 July, the first hatchlings emerged from the warm sand at night and instinctively made their way towards the sea.

The nest hatched after 59 days of incubation. It contained 107 eggs, producing 59 hatchlings that made it to the sea. There were 46 unfertilised eggs and only two fertilised eggs that did not hatch. This represents a fantastic hatching rate for the fertilised eggs. The nest was excavated with permission from the Environmental Regulatory Authority (ERA).

Throughout, guests have been given the opportunity to witness both nesting and hatching events – always at a respectful distance. These are the moments that reveal the wildlife that calls the island home, watched not as just a rare spectacle but as something shared.
“We are excited to have a green turtle choose our island to nest on,” said Tom Osborne, Sustainability Manager at Niva Kuramathi. “This isn’t a regular nesting ground for turtles, so to have five nests is truly special.”
For more inspiration, visit www.nivakuramathi.com.
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