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Harubee – Young Faces, Old Voices

Published

15 years ago

July 12, 2011

Mohamed Shafraz Hafiz for Maldives Promotion House – A group of young men flood the stage and take their positions. There are around twenty of them. A majority of them carry with them traditional Dhivehi goatskin drums. A flourish, a sharp tap, and a song is breathed into life. It’s sleepy at first but gains momentum like a rolling boulder. The song grows louder, faster, and the crowd sways because they can’t help it.

The beat works itself into their blood. Old voices on young faces sing the bodu beru songs and by the time the crescendo arrives, frenzy inducing, the crowd is ensnared completely. A few of them leap into the space in front of the stage to express their exultation through dance. By the time their hearts slow down it’s time for the next song. This is a typical night for Harubee, Maldives’s premier bodu beru band.

Bodu beru, literally meaning “big drum”, is one of the oldest surviving aspects of Dhivehi culture. It is a form of song based on a beat hammered out on a goatskin drum of traditional design. The tempo almost invariably starts slow and builds up into a crescendo, which is sustained for a while before reaching an abrupt end.

Though they’ve earned the right to it, Harubee shuns their status as a super-band, instead choosing to celebrate their roots and the fans that make them who they are. This warmth translates into the performance as well as the energy that comes from their passion.

Not a single member of Harubee performs full-time. They all work full-time elsewhere and come together as a band only for the passion of bodu beru. Harubee’s philosophy is that performing full-time will make the music feel like a job.

Shihan (Puchu), one of the four main members of Harubee alongside Mamdhooh (Manday), Naushad (Naube), and Shamhan (Joray), explains that the four of them first came together as a band at the end of the 90’s quite circumstantially, when one of them beat a dabiya (a tin pitcher), and the others joined in with song. They soon found themselves performing free at parties purely for the love of bodu beru.

The group officially came to be known as Harubee for their performance at the 2006 Dubai Shopping Festival. Since then, Harubee has gone onto perform at tourism expos, various major events at resorts, and have appeared on National Geographic Channel and the BBC in addition to performing alongside major local artists at live events. Harubee’s first mainstream success came when they won the MNBC Bodu Beru Challenge 2010. Since then Harubee has been performing without respite. This is no small accomplishment, considering that all members work full time, and the line up always depends on who can get time off work for a performance.

Harubee cannot be talked about without mentioning the cultural relevance of the group. The art of bodu beru is one of the most representative facets of Dhivehi culture. Many of the songs circulating around the bodu beru scene are so old that their origins are lost entirely. Harubee represents a revitalising, and more importantly, a rebranding of everything bodu beru stands for. As a bodu beru group of young people who charge their performances with a new energy that somehow falls runs parallel to the timelessness of the tradition, Harubee brings a progressiveness to the art that has not only been absent but hadn’t even been conceived of before. Bodu beru is cool again precisely because it’s not the way you remember it.

The band chooses to emphasise the continuity in this progression from tradition. Harubee humbly names Hamdun Hameed as the group’s major influence. As the founding members’ school principal and prolific torchbearer of bodu beru, Hamdun heavily involved the group in Ameer Ahmed School’s bodu beru activities, coming to teach the boys who would become Harubee most of what they know.

Modernised or traditional, bodu beru is a live art, and Harubee is a live act. The group is currently recording an album, pushing the progression further with their new songs. A major challenge will be to translate their unique personality into recorded form. Unused to the restraint and the set structure of the studio environment, Harubee has to overcome these constraints and find the best way to pack their brand of improvisation and spontaneity into an aural experience.

First an explosion onto the scene, then establishing their place, now recording an album. What could possibly be next for this group of young men, who don’t practise, who don’t plan their show, yet still project an electrifying presence? “To never stop,” says Shihan. Harubee intends to overcome the fickle nature of seasonal trends. They intend to make bodu beru bigger than it already is, and to push it further than it has ever gone.

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St. Regis Maldives Vommuli Resort marks coral conservation milestone with 300 frames installed

Published

7 hours ago

January 29, 2026

m@ldives

The St. Regis Maldives Vommuli Resort has announced a significant milestone in its marine conservation programme, reaching 300 coral frames installed around Vommuli Island. The achievement marks a major step forward in the resort’s long-term commitment to reef restoration and marine biodiversity preservation in the Dhaalu Atoll.

Led by resident marine biologist Hazel Araujo, the coral restoration initiative has expanded steadily since its launch in 2023. As of 2025, the programme supports more than 16,800 coral fragments across four active restoration sites, representing over 13 coral species. Collectively, these frames have contributed to the restoration of more than 70 square metres of reef habitat surrounding the island.

The milestone also reflects the programme’s progression from active restoration to natural regeneration. For the first time, coral colonies grown on the resort’s earliest frames—now approaching three years in age—have reached sufficient maturity to serve as donor colonies. This development allows new coral fragments to be sourced directly from existing frames, strengthening the resilience and self-sufficiency of the restoration programme.

Further validating these efforts, the resort recorded its first coral spawning event during the most recent spawning season. Colonies of Acropora digitifera released gametes from the very first coral frame deployed at the resort, confirming that the cultivated corals have reached full reproductive maturity and are now capable of contributing to natural reef renewal.

Despite the impacts of the 2024 global coral bleaching event, the restoration sites demonstrated strong recovery within one year, maintaining an average coral survival rate of 91 percent. Monitoring data has also shown notable increases in marine life activity, including higher sightings of sharks, rays, octopus and sea turtles, underscoring the role of coral frames in enhancing habitat complexity and ecosystem health.

Each of the 300 coral frames has been supported through adoption by resort guests, online sponsors or resort teams, positioning the programme as a shared conservation effort. Complementary community outreach initiatives have engaged students from neighbouring islands through marine education, workshops and creative conservation projects.

The installation of the 300th coral frame represents a key milestone in The St. Regis Maldives Vommuli Resort’s sustainability journey, reinforcing its commitment to long-term reef protection, scientific monitoring and collaborative environmental stewardship in the Maldives.

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Ataraxis Grand & Spa hosts integrated work-and-dive corporate retreat in Fuvahmulah

Published

10 hours ago

January 29, 2026

m@ldives

Ataraxis Grand & Spa recently hosted a week-long, closed corporate offsite in Fuvahmulah for a US-based artificial intelligence company, highlighting the island’s growing suitability for integrated work-and-experience retreats. The retreat brought a group of 36 international professionals to the property, which was reserved exclusively for the programme.

Designed as a private company offsite, the stay combined structured daily work sessions with guided diving and beginner-friendly surf experiences, creating a balanced format that blended focused collaboration with physical reset.

A notable component of the programme was dive training and certification. During the retreat, 17 participants completed their Open Water certification, while a further six undertook the Advanced Open Water course, with training and dives scheduled alongside work sessions as part of the integrated itinerary.

Throughout the week, participants worked on-site using dedicated shared spaces supported by reliable high-speed internet, allowing meetings, informal collaboration and scheduled activities to take place within a single, uninterrupted environment. This setup enabled teams to move seamlessly between work periods and organised ocean activities without leaving the property.

Fuvahmulah’s natural and operational advantages formed a key part of the retreat’s appeal. As one of the Maldives’ largest inhabited islands, it offers immediate access to pelagic dive sites, internationally recognised shark diving and surf breaks suitable for instruction, alongside the infrastructure required to support extended group stays.

The offsite reflects a growing preference among technology and knowledge-sector teams for small-scale retreats that prioritise concentrated work environments and team cohesion over traditional conference formats. Such programmes typically involve longer stays and higher per-capita spend, aligning with sustainable, quality-driven tourism models.

The retreat also demonstrates how locally operated properties such as Ataraxis Grand & Spa are supporting this shift by delivering unified environments where accommodation, workspaces, connectivity and curated experiences operate as a single programme rather than separate services.

As organisations continue to explore alternative formats for strategy sessions, team resets and creative offsites, Ataraxis Grand & Spa’s experience positions Fuvahmulah as an increasingly viable destination for integrated corporate retreats.

Ataraxis Grand & Spa offers work-and-dive retreat programmes in Fuvahmulah that combine accommodation, dedicated workspaces, high-speed connectivity and organised diving and surfing.

Further information on retreat formats and dive-inclusive stays is available via the Ataraxis Grand & Spa website.

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Four Seasons Landaa Giraavaru shares manta sightings forecast for 2026 and 2027

Published

1 day ago

January 28, 2026

m@ldives

The ocean’s gentle giants are calling once again. Drawing on two decades of meticulous research, the resident Manta Trust experts at Four Seasons Resort Maldives at Landaa Giraavaru have revealed the prime manta encounter dates for 2026 and 2027. Located in the Baa Atoll UNESCO Biosphere Reserve, home to the largest-known manta population, the Resort offers an unparalleled opportunity to swim alongside these majestic marine creatures.

Mantas on Speed Dial

To help guests maximise their chance of a manta meet-up, the Manta Trust analyse decades of data on manta ray movements and environmental factors. The resulting “hot dates” are peak periods when mass aggregations are most likely to occur close to the Resort.

The Manta On Call experience alerts guests the moment mantas are spotted, whisking them by speedboat for a thrilling snorkelling adventure. Along the way, they can learn from the globally renowned Manta Trust team, featured on CNN’s Call to Earth series, about manta ray biology and conservation.

A Manta Haven

The 2025 manta season, which ended in November, brought sightings of an estimated 4,265 reef manta rays, as well as 28 whale sharks, 16 devil rays and 10 oceanic mantas. The Manta Trust conducted 1282 manta surveys over 143 research days, adding to the ongoing database.

This season also brought exciting conservation news. Through the Manta Trust’s dedicated work, all 10 manta and devil ray species have been uplisted to CITES Appendix I – meaning they have the highest level of protection. International commercial trade of these species is now prohibited, helping to safeguard their future.

Education is key to the Trust’s vision. Over the 2025 season, six interns and apprentices immersed in marine biology by collecting data on the research boat, identifying mantas, and running guest trips. The team also work closely with local schools to inspire the next generation of conservationists. 2025 saw them engage with 969 community members, while 19 students graduated from their Moodhu Madharusa (Ocean School).

“Watching people interact with mantas reminds us why we do this work,” says Armando Kraenzlin, Regional Vice President and General Manager of Four Seasons Resort Maldives at Landaa Giraavaru. “These encounters go beyond awe; they create a real connection to the ocean and its inhabitants. Since 2005, the Maldives Manta Conservation Programme at Landaa Giraavaru has been dedicated to protecting these remarkable creatures, and every snorkel, survey or moment spent alongside them helps build a community committed to their survival.”

Hot dates for manta sightings in 2026 and 2027:

2026

May 14–18
May 29 – June 2
June 13–17
June 27 – July 1
July 12–16
July 27–31
August 10–14
August 26–30
September 9–13
September 24–28
October 8–12
October 24–28
November 7–11
November 24

2027

May 4–8
May 18–22
June 2–6
June 16–20
July 2–6
July 16–20
July 31 – August 4
August 15–19
September 28 – October 2
October 13–17
October 27–31
November 12–16
November 26–30

Please note: Manta ray sightings are subject to weather conditions and the temperament of these gentle oceanic giants.

To book a Maldives manta experience, click here, email: reservations.mal@fourseasons.com or call the central reservations department of Four Seasons Resorts Maldives at tel: (960) 66 00 888.