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Harubee – Young Faces, Old Voices
Mohamed Shafraz Hafiz for Maldives Promotion House – A group of young men flood the stage and take their positions. There are around twenty of them. A majority of them carry with them traditional Dhivehi goatskin drums. A flourish, a sharp tap, and a song is breathed into life. It’s sleepy at first but gains momentum like a rolling boulder. The song grows louder, faster, and the crowd sways because they can’t help it.
The beat works itself into their blood. Old voices on young faces sing the bodu beru songs and by the time the crescendo arrives, frenzy inducing, the crowd is ensnared completely. A few of them leap into the space in front of the stage to express their exultation through dance. By the time their hearts slow down it’s time for the next song. This is a typical night for Harubee, Maldives’s premier bodu beru band.
Bodu beru, literally meaning “big drum”, is one of the oldest surviving aspects of Dhivehi culture. It is a form of song based on a beat hammered out on a goatskin drum of traditional design. The tempo almost invariably starts slow and builds up into a crescendo, which is sustained for a while before reaching an abrupt end.
Though they’ve earned the right to it, Harubee shuns their status as a super-band, instead choosing to celebrate their roots and the fans that make them who they are. This warmth translates into the performance as well as the energy that comes from their passion.
Not a single member of Harubee performs full-time. They all work full-time elsewhere and come together as a band only for the passion of bodu beru. Harubee’s philosophy is that performing full-time will make the music feel like a job.
Shihan (Puchu), one of the four main members of Harubee alongside Mamdhooh (Manday), Naushad (Naube), and Shamhan (Joray), explains that the four of them first came together as a band at the end of the 90’s quite circumstantially, when one of them beat a dabiya (a tin pitcher), and the others joined in with song. They soon found themselves performing free at parties purely for the love of bodu beru.
The group officially came to be known as Harubee for their performance at the 2006 Dubai Shopping Festival. Since then, Harubee has gone onto perform at tourism expos, various major events at resorts, and have appeared on National Geographic Channel and the BBC in addition to performing alongside major local artists at live events. Harubee’s first mainstream success came when they won the MNBC Bodu Beru Challenge 2010. Since then Harubee has been performing without respite. This is no small accomplishment, considering that all members work full time, and the line up always depends on who can get time off work for a performance.
Harubee cannot be talked about without mentioning the cultural relevance of the group. The art of bodu beru is one of the most representative facets of Dhivehi culture. Many of the songs circulating around the bodu beru scene are so old that their origins are lost entirely. Harubee represents a revitalising, and more importantly, a rebranding of everything bodu beru stands for. As a bodu beru group of young people who charge their performances with a new energy that somehow falls runs parallel to the timelessness of the tradition, Harubee brings a progressiveness to the art that has not only been absent but hadn’t even been conceived of before. Bodu beru is cool again precisely because it’s not the way you remember it.
The band chooses to emphasise the continuity in this progression from tradition. Harubee humbly names Hamdun Hameed as the group’s major influence. As the founding members’ school principal and prolific torchbearer of bodu beru, Hamdun heavily involved the group in Ameer Ahmed School’s bodu beru activities, coming to teach the boys who would become Harubee most of what they know.
Modernised or traditional, bodu beru is a live art, and Harubee is a live act. The group is currently recording an album, pushing the progression further with their new songs. A major challenge will be to translate their unique personality into recorded form. Unused to the restraint and the set structure of the studio environment, Harubee has to overcome these constraints and find the best way to pack their brand of improvisation and spontaneity into an aural experience.
First an explosion onto the scene, then establishing their place, now recording an album. What could possibly be next for this group of young men, who don’t practise, who don’t plan their show, yet still project an electrifying presence? “To never stop,” says Shihan. Harubee intends to overcome the fickle nature of seasonal trends. They intend to make bodu beru bigger than it already is, and to push it further than it has ever gone.
This Easter, Siyam World Maldives, part of Sun Siyam’s Lifestyle Collection, is clicking its ruby slippers and transforming into the magical World of Oz from From March 31st – April 17th, 2026 with not one, not two, but three international football legends arriving on island. Yes, while the Wizard may rely on smoke and mirrors, Massimo Ambrosini, Javier Saviola and Gary Cahill are very real, and they will be hosting exclusive football camps throughout April for young players and fans ready to sharpen their skills in paradise.
But that is only the beginning because, unlike Dorothy, you might not want to go home.
Alongside these star-studded camps, Siyam World’s Easter celebrations invite guests to follow the Yellow Brick Road into the World of Oz, where the island comes alive with magical shows, playful races, kid-friendly carnivals, and high-energy island adventures.
The journey begins with Dorothy’s Arrival, a sunset gathering at Together Beach where emerald lights glow, music fills the air, and the first clues of the Oz adventure begin to unfold. Guests are then invited to follow the Yellow Brick Road across the island, discovering surprises along the way. The highlight of the Easter programme is the spectacular Journey to the Emerald City Stage Show, featuring dazzling dance performances, aerial artistry, fire acts, and immersive visuals that bring the magic of Oz to life.
Young adventurers can explore the Wizard’s Kidz Carnival, packed with games, face painting, and playful characters, while guests ready for a challenge can join The Amazing Race – Wizard of Siyam Edition, racing around the island in a series of fun challenges inspired by brains, heart, and courage.
Meanwhile, the SW 3K Easter Run adds an extra splash of fun with bubble tunnels, misty surprises, and plenty of laughter along the way.
And for football lovers, the island’s pitch becomes the ultimate training ground with three exclusive camps:
- Massimo Ambrosini Football Camp (2–4 April) – The AC Milan midfield legend known for leadership and tactical brilliance
- Javier Saviola Football Camp (5–10 April) – The lightning-fast Argentine forward “El Conejo,” famed for creativity and clinical finishing.
- Gary Cahill Football Camp (13–17 April) – The England international and former Chelsea captain celebrated for his defensive strength and leadership.
With world-class football, magical storytelling, and island adventures around every corner, The World of Oz at Siyam World promises an Easter celebration where fantasy, sport, and pure fun collide.
Because at Siyam World, the adventure never ends, it simply follows the Yellow Brick Road.
For more information and to book your stay or check out the full Easter programme, please visit the resort’s website.
The vibrant coral reefs surrounding Cinnamon Dhonveli Maldives play a vital role in sustaining the island’s rich marine biodiversity. Recognising the growing threats faced by coral ecosystems worldwide, the resort has introduced a coral restoration initiative aimed at supporting the long-term recovery of its house reef.
Coral reefs are among the most sensitive and fragile ecosystems on the planet and are increasingly affected by environmental stressors such as rising ocean temperatures, coral bleaching, and human activity. These ecosystems not only support thousands of marine species but also play a crucial role in maintaining ocean health and protecting coastlines.
As part of its ongoing sustainability efforts, Cinnamon Dhonveli Maldives has taken proactive steps to assist reef regeneration through a structured coral restoration programme. The initiative recently saw the installation of 25 coral frames, each carefully planted with coral fragments collected from naturally broken corals found within the surrounding lagoon and reef areas.
Over time, these fragments will grow and fuse with one another, gradually forming new coral colonies that contribute to rebuilding the reef structure. As the corals mature, they create shelter and feeding grounds for a wide variety of marine life, helping restore the ecological balance of the reef ecosystem.
The restoration project also serves as an important platform for raising awareness among guests and team members about the importance of marine conservation. By nurturing these coral frames and monitoring their progress, the resort contributes to strengthening the resilience of its surrounding reef while supporting broader efforts to safeguard the Maldives’ underwater ecosystems.
Sun Siyam Olhuveli has unveiled newly upgraded volleyball and futsal grounds for team members, reaffirming its commitment to employee wellbeing while advancing responsible, future-focused operations. The renovated volleyball grounds were officially inaugurated on 14 February, while the upgraded futsal ground opened earlier this year—together creating dedicated spaces for recreation, connection, and healthy competition across the island.
Designed to encourage regular physical activity and camaraderie beyond the workplace, the improved sports facilities represent a thoughtful investment in social infrastructure. They reflect a belief that wellbeing is fundamental to long-term performance, nurturing morale, teamwork, and a strong sense of belonging among team members.
Alongside these developments, the resort has implemented NO BIN DAY every Tuesday, a practical initiative aimed at minimising food waste across operations. By encouraging mindful planning and responsible consumption, the initiative challenges teams to rethink habits around food—transforming sustainability into a shared, everyday discipline.
“Taking care of our people and the environment must go hand in hand. By investing in spaces that support our team’s wellbeing and introducing simple disciplines like NO BIN DAY, we are building a culture where responsibility is lived every day—naturally, collectively, and with purpose,” said Hassan Adil, General Manager of Sun Siyam Olhuveli.
Both initiatives form part of Sun Siyam Care, the group’s corporate social responsibility platform, and align with the Social Infrastructure and Responsible Consumption and Production pillars under the GDS framework. Together, they reflect a people-first approach to sustainability—where everyday actions create lasting impact for teams, operations, and the wider community.
Sun Siyam Care is committed to creating a positive impact for people, communities, and the environment through responsible operations, social investment, and long-term sustainability actions across its destinations in the Maldives and Sri Lanka.
Guests are encouraged to learn more about these initiatives by visiting the Sun Siyam Care website at sunsiyam.com/sun-siyam-care.
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