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Fight the Power: the soundtrack of US anti-racism protests

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Anti-racism protesters have rolled out a creative batch of chants to soundtrack the ongoing US demonstrations, but both fresh music and timeless classics are also front and center.

Rapper YG’s recently released “FTP” has become a de-facto anthem for the thousands of people pouring into the streets, whose demands include sweeping reforms of law enforcement after the latest death in custody of an unarmed black man, George Floyd.

Spotify’s “Black Lives Matter” playlist — a 66-track song list that includes justice-minded hits from James Brown, Killer Mike, Nina Simone, NWA, Childish Gambino, Beyonce and Kendrick Lamar — has won over nearly one million subscribers.

And the streaming platform’s daily “Viral 50” list has seen classics like Gil Scott Heron’s “The Revolution Will Not Be Televised” — a spoken-word song from 1970 whose title came from a slogan used by US Black Power movements — break into the top 10.

Public Enemy’s “Fight the Power” has also seen a resurgence.

The late musician Gil Scott-Heron, shown here at Coachella in 2010, has had a comeback on Spotify, where his protest music is in the spotlight. PHOTO: GETTY IMAGES NORTH AMERICA/AFP/File / Anna Webber

The Prince estate meanwhile released a new video centred on police brutality for the late artist’s song “Baltimore,” which he originally wrote and released in 2015 following the death in police custody of Freddie Gray, who was black.

Singer Trey Songz released the gospel-tinged song “2020 Riots: How Many Times,” in response to the recent wave of protests, while folk and soul singer Leon Bridges released “Sweeter,” a meditation on racism.

“The death of George Floyd was the straw that broke the camel’s back for me,” Bridges, who was born in Texas, posted.

“I have been numb for too long, calloused when it came to the issues of police brutality,” he said.

“It was the first time I wept for a man I never met. I am George Floyd, my brothers are George Floyd, and my sisters are George Floyd. I cannot and will not be silent any longer.”

‘Sound of America’

Leon Bridges, shown here in 2019, is among the artists to release protest-minded music in the wake of mass protests. PHOTO: GETTY IMAGES NORTH AMERICA/AFP/File / Ethan Miller

For Fredara Hadley, an ethnomusicology professor at the Juilliard School, the black experience has long been the primary driver behind protest music in the US, from abolitionists latching on to spirituals to the 1960s Civil Rights movement powered by jazz, rock, soul and R&B.

“Black music and black ambitions were allowed to occupy spaces that… the general black population could not,” she said. “It served as an ambassador and avatar of blackness in complicated kinds of ways.”

“You had those musicians writing music that directly responded to and was engaged with whatever was happening in the movement.”

Kendrick Scott, a New York-based jazz drummer, recently composed an instrumental piece that he mixed with audio of George Floyd’s dying words and protesters chanting his name.

He said that while writing, he imagined himself on the front lines of the protest, playing his drums in front of the police “with everybody behind me saying his name.”

Using Floyd’s own words was painful, Scott said, but “I wanted people to have that visceral reaction of really feeling that, not just imagining it.”

“I just wanted to use my instrument, and my voice — which I think is what I do best — in working for change,” he added.

Hadley said the internet age gives artists and listeners “this direct way of being in dialogue with the moment.”

Drummer Kendrick Scott, shown here at the 2013 New Orleans Jazz & Heritage Music Festival, composed a new song set to protest chants. PHOTO: GETTY IMAGES NORTH AMERICA/AFP/File / RICK DIAMOND

“You have this ongoing dialogue which says there is no distance between black musicians and black communities,” she explained.

“They can be our amplifiers, our chroniclers — help us memorialize what we’ve lost.”

Scott agreed, saying black music is one of the United States’ most vibrant exports.

“I travel around the world, and I hear black American music everywhere in every corner,” he said.

“Black American music is the sound of America.”

Reporting and photos: AFP

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Nika Zorjan’s ‘V Postelji’ music video showcases timeless beauty of Maldives

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Released just three weeks ago, Nika Zorjan’s latest music video, ‘V Postelji’ (meaning “In Bed”), has captivated audiences with its stunning cinematography set against the breathtaking backdrop of the Maldives. Directed by videographer Niko Karo, who accompanied Nika to film the video, the project was organised by Moji Maldivi, an agency based in Slovenia dedicated to promoting the Maldives as a premier holiday destination in Balkan region.

The video beautifully captures Nika strolling through serene pathways shaded by iconic coconut palm trees at Villa Park, later walking along the sun-kissed beaches of Villa Nautica, and finally enjoying the golden sunset on a bed at the beach of Furaveri Maldives. Each scene showcases the natural beauty and tranquil ambiance of the Maldives, enhancing the emotional depth and visual splendour of the music video.

Nika Zorjan, renowned as a Slovenian pop star and Eurovision contestant, has also gained fame for her cover songs, including her most popular rendition of Sia’s Cheap Thrills, which has amassed nearly 50 million views on YouTube, with over 60 million total views on the platform. “Shooting a video in the Maldives is heavenly,” she added. Filmed in one of the world’s most captivating tourist destinations, the Maldives serves as more than just a scenic backdrop; it becomes an integral part of the video’s narrative.

V Postelji not only showcases Nika Zorjan’s musical prowess but also pays homage to the Maldives’ timeless allure and cultural richness. The video has resonated deeply with audiences, garnering praise for its artistic vision and the mesmerising beauty of the Maldivian landscape. The lush greenery, crystal-clear waters, and pristine beaches depicted in the video create a sense of paradise that complements the song’s evocative lyrics.

As viewers continue to immerse themselves in the captivating visuals and emotive melodies of V Postelji, it reinforces the Maldives’ reputation as a destination where natural beauty and tranquility converge effortlessly. Nika Zorjan’s collaboration with Niko Karo underscores their shared appreciation for the Maldives’ serene ambiance and its ability to inspire creativity and emotional expression. This partnership, facilitated by Moji Maldivi, highlights the agency’s dedication to showcasing the Maldives as an unparalleled holiday destination to the Balkan market.

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Emirates undertakes largest known fleet retrofit project

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Emirates has kick-started its plans to upgrade the entire interior cabins of 120 Airbus A380 and Boeing 777 aircraft – two of the largest commercial aircraft types in service today.

This ambitious project, representing a multi-billion dollar investment to ensure Emirates’ customers “fly better” for the coming years, officially commences in November and is managed entirely by Emirates’ Engineering team.

The target is to completely retrofit four Emirates aircraft from start to finish every month, continuously for over 2 years. Once the 67 earmarked A380s are refreshed and back in service, 53 777s will undergo their facelift. This will see nearly 4,000 brand new Premium Economy seats installed, 728 First Class suites refurbished and over 5,000 Business Class seats upgraded to a new style and design when the project is complete in April 2025.

In addition, carpets and stairs will be upgraded, and cabin interior panels refreshed with new tones and design motifs including the iconic ghaf trees which are native to the UAE.

No other airline has handled a retrofit of this magnitude in-house, and there’s no blueprint for such an undertaking. Therefore Emirates Engineering teams have been planning and testing extensively, to establish and streamline processes, and identify and address any possible snags.

Trials began on an A380 in July, where experienced engineers literally took each cabin apart piece-by-piece and logged every step. From removing seats and panelling to bolts and screws, every action was tested, timed and mapped out. Potential impediments to completing the installation of Emirates’ new Premium Economy Class or the retrofit of the remaining three cabins in just 16 days were flagged and documented for expert teams to review and address.

As part of the programme, new purpose-built workshops will be set up at Emirates Engineering to repaint, re-trim and re-upholster Business and Economy Class seats with new covers and cushioning. First Class suites will be carefully disassembled and sent to a specialised company to replace the leather, arm rests and other materials.

From the trials, Engineers discovered several unexpected solutions for instance: that existing food catering trucks could be easily repurposed to move parts destined for refurbishment from the aircraft to the workshop for their refresh, as these vehicles had doors of the right width and offer sufficient space.

Until the retrofit programme starts in earnest in November, a cross-disciplinary team has been assembled to regularly review the planning process, address any issues, and track updates on various aspects of the project such as procurement, staffing, and training.

Emirates’ new Premium Economy cabin class, which offers luxurious seats, more legroom, and a service to rival many airlines’ business offering, is currently available to Emirates customers travelling on popular A380 routes to London, Paris, Sydney. More customers will be able to experience the airline’s new Premium Economy cabins starting from year end, as the retrofit programme picks up momentum.

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Eleanor helps over 30 Maldives hotels elevate guest services

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Eleanor has been named as one of the top 10 concierge software providers globally.

Based on accurate, timely reviews from real users, the HotelTechAwards rank the world’s best hotel software firms and products and it also provides hoteliers direct access to a growing network of hotel technology professionals and decision-makers.

“The guest experience is the cornerstone of our platform. Our unified resort wide solution, Eleanor, has been built for resorts off the back of many years working in the industry and addresses the needs of both Sales and Marketing departments and perhaps just as importantly, the operational requirements of the team on the ground at the property. The days of resorts working with disjointed systems are now behind us,” says Darren Caple, co-founder and CEO.

“We are on a mission to make the guest’s resort experience as easy and as frictionless as possible. Whereas traditional providers in the market have come at this purely from a guest communication perspective, our background in resorts has allowed us to combine this basic requirement with the streamlining of operational processes. The result is truly a resort wide solution that removes the need for countless different systems to be deployed.

Eleanor allows resorts to deliver consistent, superior service levels to guests across all stages of their journey with contactless features helping to alleviate sensitive touch-points in the post pandemic period. More than 30 properties in the Maldives use our Eleanor platform to help butlers and guest services elevate the guest experience. These properties are seeing an increase in incremental revenue by over 30% and operational efficiencies of 600+ man hours per month. We are also beginning to roll out the platform in some Caribbean properties!”

Eleanor is making waves in the hospitality industry by pushing the conventional limits of what a resort guest app can achieve through its unique ability to facilitate direct bookings for services and activities. The traditional ‘request to book’ feature that is common amongst almost all other hotel apps is removed by a power booking and operational platform sitting at the heart of the solution that covers all the resorts’ departments. It’s this module which realises enormous operational benefits and insights for the resort.

“We, at Eleanor, are humbled and honoured that our clients have provided such positive reviews. Feedback from our clients, partners and hoteliers are incredibly valuable for us and we will continue to improve our offering and services”, said Caple.

To celebrate this success, Eleanor is currently offering resorts a free one month trial, together with free setup and training and discounted monthly fees.

Eleanor, founded in 2018 and has its headquarters in the United Kingdom. Created from over 15 years of hands-on expertise, Eleanor allows resorts to deliver consistent, superior service levels to its guests across all stages of their journey with contactless features helping to alleviate sensitive touch-points in the post pandemic period. Eleanor also helps to unlock operational efficiencies and boost incremental revenue and guest loyalty.

Hotel Tech Report’s Best Concierge Software 2022 Runner Up, reviewed as a preferred and reliable hotel software product by the global hotelier community.

For more information, visit www.eleanorapp.com.

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